

With conventional digital SLR cameras, you never know exactly what your photo will look like until after you've taken the shot. The LUMIX DMC-L10 changes all that with full-time Live View, which lets you adjust the white balance and compensate for the exposure. Film mode allows easy and detailed settings, and Manual mode ensures precise focusing. Plus, you can check the effects of all the adjustments on the LCD before you shoot.
The DMC-L10's new free-angle LCD rotates 180° horizontally and 270° vertically. This gives you full control of virtually every shooting situation, from ground level low-angle shots to the kind of high-angle shots that used to end up all white. With the free-angle LCD, you're able to precisely frame your shots and adjust the exposure and focus exactly the way you want. The DMC-L10 with free-angle LCD brings greater freedom to the digital SLR camera, and a whole new style of shooting for you.

Together with Full-time Live View, the DMC-L10 has a free-angle LCD that rotates 180° from side to side and tilts 270° up and down. This makes it easy to take photos of flowers, animals and other subjects from extremely low angles by positioning the camera slightly above the ground. Or, you can record a parade from an angle high above the heads of the people around you. The free-angle LCD lets you use new shooting angles that simply weren't possible before, so you get highly original and creative snapshots.














The 2.5" LCD has a total of 207,000 dots for high resolution. Under bright sunlight, Auto Power or Power LCD increase the backlight brightness. When the sunlight makes the LCD difficult to see, simply turn on Power LCD. Or choose Auto Power LCD and have the camera turn the function on and off automatically. Both settings are one-touch simple and make both shooting and viewing photos easier and more convenient.


With a viewing angle that approaches 100%, the large, 2.5-inch LCD monitor makes it easy to frame your shots with high accuracy. You can also check the colors after adjusting the white balance, and show the changes that result from compensating the exposure before you shoot.




